Ebooks from a reader’s standpoint


As a writer, I love the concept of ebooks. Those of us shuttered out of the business because of high overheads and the Bestseller Factor know the window of opportunity that could be flung wide by the success of ebooks. Lower publisher costs = bigger stable of authors. But, today I’m thinking like a reader. After all, I am one.

A while ago J.A. Konrath (a talented author and a champion of all writers) did an interview on blogger’s A view from Garnet’s World. In it, he states–along with a list of other criteria–ebooks will only succeed if they are ninety-nine cents or less each. Now, we can quibble over the exact number (less than a buck seems a tad low), but I think the idea is sound. Here’s why:

I have a wish list on Amazon a mile long. For every book I buy, ten others go onto this list, never to be bought. I often peruse it, I sulk over it, I add a few of its ranks to my cart–and just as quickly put them back. The fact is, I don’t have the free cash to put up for every single author I think I might like to add to my burgeoning bookshelves, no matter how much I’d love to support each and every one of their careers. When I do have spare cash, I tend to buy within my genre, soothing my guilt with platitudes of research and education about my specialty. And it’s a shame. There are so many authors out there I’ve come across and dismissed, not because of any fault of theirs–on the contrary, they usually wow me with their ranges of style and concept–but because I know the cash cow can’t put out much more than she already has, and most times paying the Man is more important than purchasing a novel. For instance, this morning I read a stellar excerpt from award-winning YA author, Laurie Halse Anderson’s Wintergirls. It was only two pages, but I instantly fell in love with her voice. I went to Amazon, found the novel, and inserted it into the black hole that is my wish list.

Were ebooks more popular, were publishing less expensive, were Mr. Konrath’s dreams of a buck novel a reality, I’d have snapped up Wintergirls (and all her other titles), along with everyone else on that list. I’d branch out, find new books, tons of them, tons of tons of them. Instead, I have to comb through my list of the dead, searching for the one name that cannot be ignored, casting aside all others like faceless soldiers from a long forgotten war. With paperbacks averaging seven bucks a pop and hardbacks, well, they’re just crazy, my hands are tied. Like Mr. Konrath also said, it makes no sense that a single hardback book starts out at close to thirty bucks, while a whole season of our favorite TV shows are under twenty. Reading is just too expensive a hobby. And that is the biggest shame for writers and readers alike.


Ups and Downs, News and Such

Sorry I’ve been absent for an extended stretch again. The warmer weather vaulted the Architect and me out of our winter hibernation and back into the renovation gig. He fixed our front door–which could have been kicked in by a toddler–and I tore down plaster and walls. I found two more dead rats–one mummified, one just a skeleton. I stepped on another nail. This time it really hurt. But, I don’t seem to have lockjaw, which is nice. The big upside is that my prison of an office is now part of the openness of the rest of the upstairs floor plan and I don’t feel anywhere near as confined sitting here writing as I did before. And it’s nowhere near as frigid in here.

I just got news this morning that while I did make it to the second elimination round, I did not make it to the quarterfinals in the Amazon Breakthrough Novel Award. I was really hoping to make it to the quarterfinals. Well, hoping for the part of the quarterfinals where Publishers Weekly would read my entire novel and review it. I wanted the awfulness that would undoubtedly go along with such a “win” because I wanted some brutal professional feedback by the biggest publication news source on the planet. I wanted to know whether or not to shove “Resonance” in a drawer and forget her. I wanted someone to tell me, instead of having to figure it out myself. Guess that’s what I get for trying to insert divine intervention into a free will universe. Still, I’ll be getting two reviews of my opening pages given by the Amazon Vine Reviewers who essentially knocked me out of the competition. Two opinions of why my book didn’t work for them. That should be fairly helpful. And making it from roughly ten-thousand people to two-thousand on the strength of my pitch means–fucking finally–I don’t have to stress over that thing anymore. It apparently does its job. Now I just need my novel to do the same.

It’s funny how I don’t feel defeated, resigned, or even belligerent. I feel just as determined as I did before, just as calm, just as focused. Have I finally reached that spot of firm belief in my work? Or is this just the first stage of rowing a big barge down a river in Egypt? I don’t know. It’s going to take a couple of weeks for those reviews to trickle down to me, so I’m going to just keep on keepin’ on and forget all about “Resonance” for a while and push ahead with the new novel.


Building Worlds Without a Twenty-Year Lag Time


In working on the backstory of my newest novel, I’ve strayed into the euphoric nightmare shared by most fantasy writers–world-building. It is here in the vast blackness that is potential where fantasy writers first lift their fingers over their keyboards and with the first few strokes either triumph or fail.

I believe it can go largely undisputed that J.R.R. Tolkien set the bar for fantasy world creation. His Middle Earth is so real you could plunge through the page, step onto the ground and start walking in any direction. In your travels across his landscape you would never wander into a blank area or cross a foggy, half-imagined portion of the scenery. In Tolkien’s mystical land there are no gaps, no missed opportunities. Middle Earth is whole, a world as full as our own. Prete-a-habiter. The only downside to Tolkien’s masterful accomplishment–it took him over twenty years to build.

So comes the task I’ve been struggling with for a few weeks. I have to build nine fully fleshed worlds and not be mostly dead before I’m done. There are some great resources on the Internet, of course. My current favorite is a fill-in-the-blank sort of question sheet offered by the Science Fiction and Fantasy Writers of America. This sheet has been a great help to me in the past few days as I struggled to figure out what I had missed in terms of culture, geography, history and mythology. It has given me a direction, and–better still–kept me fixed on my course. There are many other resources out there, including numerous helpful sites for RPGs, and my newest inspiration, the monstrous Otherland novel series by Tad Williams. Seeing that modern, non-obsessed writers have indeed created believeable, multi-world novels is a huge comfort.

I was watching something on TV the other night (Robot Chicken or maybe Family Guy) and the characters were lampooning the fact that George Lucas is a terrible planet creator–making one only of sand, another only forest, another only ice… This easy route is the enticing lure I’m trying to evade, the pitfall I’m determined to dodge. You won’t find whole languages in my book, or even histories detailing every single year since the beginning of my worlds’ inceptions, but they will be whole, fleshed out and believable–with many different climate zones. And I won’t be sixty when I’m done.

Maybe fifty-five.


When Funny is– Not Funny?


You give your manuscript to a beta reader or a writing buddy. They take a few days, give it back and say, “It was good. And that part in Chapter Five where she…. That was hilarious.”

You blink.

Clear your throat.

Blink again.

And again.

You mutter a weak, “Thanks,” and snatch back your manuscript, all the while thinking, Dillhole. Dillhole. Dillholedillholedillhole.

You walk away fuming. That part wasn’t funny. That part was never meant to be funny. You poured your heart and soul into that scene, hoping it would tear the same out of your reader’s chest. And they giggled. Chuckled, maybe. Who knows? There could have been a whooping fit to match a hyena.

If it hasn’t happened to you already, it probably will. And I feel there are two ways to handle the situation: ignore it, or don’t ignore it (mind-blowing stuff, right?).

Let’s start with Don’t ignore it. I feel this situation applies only if you were trying to establish the most tragic, romantic, or profound of moods. For example: You write a scene where your protagonist, after six years of searching, finally finds the home of her birth mother. She rings the doorbell and peeks through the sidelight to catch her first glimpse of the one brought her into this world, only to give her up. An older woman appears at the top of the stairs. She squints back at the familiar-seeming face, her expression of curiosity melting into one of recognition and joy. She steps forward, arms outstretched, and trips over a puppy playing on the tread below. The protagonist screams, but can do nothing to stop the horror playing out in front of her eyes. Both woman and dog tumble down the steps, a windmill of fur and extremities. They hit the landing with a sickening crunch, the window framing their deaths like a grisly postcard.

At this point, unless you happen to be one of the Python boys, you’ll be wanting your reader sobbing onto the well-worn pages of your novel (not enough to smudge the lines, mind you, but enough to leave a telltale grief stain so other readers will know in advance of your knife-twisting skill). If, instead, they’re holding their sides and howling, “A puppy!” between shrieks of laughter, you’ll probably want to rewrite it (Scratch that. If you write anything involving puppy-tripping-tragedy, you should definitely rewrite).

Moving on to the more apt option, Ignore it:

Not everyone has the same sense of humor as you. Some people find irony in things we overlook. Some people have a very dry wit. And others are just plain weird when it comes to what they think is funny (like Adam Sandler movies). Unless no one gets your jokes and everyone thinks your drama is hysterical, just let it go. It’s not worth second guessing every single reader’s reaction to your work. In fact, it’s impossible. Just let them find what they need in your writing, and move on. At least you’re getting a laugh. It’s more than you can say about I Now Pronounce You Chuck and Larry.

I know, I didn’t have to go there.

I just wanted to.


Ten Things

Last night I was thinking of where I am now versus where I was ten years ago. The difference is staggering, even to me. In honor of my nearly six years on The Shore (and nearly six years away from D.C.), I’ve come up with a list of what I miss about the Nation’s Capital, and what I love about where I am now.

What I miss about D.C. (and its surrounding locale):

1) Accessibility. Shopping, food, great medical care–all right there.
2) Diversity. An international cornucopia of heritages, faiths and culture.
3) Free Museums, especially the Freer/Sackler galleries with their vast collection of religious icons.
4) The Uptown. An historic movie theatre with a twenty-foot curved screen, a huge balcony and velvet curtains that roll back before the show.
5) Alternative music doesn’t mean Green Day–real shows, awesome bands, great venues and spectacular attendees (this applies more to Baltimore than conservative D.C.).
6) Proper county fairs. You’d think a rural county like Wicomico would corner the market on this agrarian tradition. Not so. You have to hike fifty miles north to the Delaware State Fair if you want to see a goat (and I love me some goats).
7) Commander Salamander (although I hear it has gone mainstream. Sigh).
8) Thai food. Korean food. Vietnamese food.
9) Armand’s pizza in Silver Spring. Heaven on a crust.
10) MOBY DICK HOUSE OF KABOB. Yeah, losing access to a tiny little carryout place is the biggest regret I carry with me. It’s was a splurge back in the day, which is why I particularly crave it for my birthday, our anniversary, any special event. Kabob E-Chehjeh over rice, Mast-o Kheyar (cucumber yogurt sauce), herb salad, flat bread and the house Doojh (fizzy yogurt drink) to wash it all down. A planet of “Yums,” couldn’t cover my adoration for this place.

What I love about the Eastern Shore:

1) Maryland Blue Crabs. And not the crap they charge you an arm and a leg for in Baltimore, but locally harvested, giant, succulent crabs.
2) Assateague Island National Seashore, with its massive white beaches, nature trails and wild ponies.
3) The towering pine trees ensure there’s always a little green edging the horizon, even in the depths of winter.
4) For better (usually) or worse (one stellar example), I actually know my neighbors.
5) The ocean is twenty minutes away.
6) On nights with a celestial or lunar event, all I have to do is drive ten minutes in any direction to find myself standing in a cornfield under a velvet black sky.
7) I can drive my 1977, belt-squealing, engine-growling, eight-foot-bedded beast of a pickup and the stares I get are ones of approval, not horror.
8) Farmland is not a mythological entity.
9) Thrasher’s French Fries and Anthony’s Carryout roast beef sandwiches.
10) I can afford my house.

So, six years later, I’ve reached a happy compromise. When the yearning for city life grabs me, I jump in my car, indulge in some of my most longed-for entertainments, then I climb back in the car, and let the sparkling silvery waters of the Chesapeake Bay and its tributaries guide me, bridge-by-bridge, back home.


An Odd Thought — The Silent Victim


With so many states having cracked down on smoking in clubs, what do you think was the fate of the guy who liked to be the Human Ashtray on fetish night? Did he have to change fetishes? Maybe try being the Human Doormat? Or, does he have to go out to the little huddle of smokers by the corner of the building and lie down on the cold, wet sidewalk?


As Restless as We Are

This is just a tiny bit of fluff that popped into my head after hearing (and I so wish I hadn’t had to hear it) 1979 by Smashing Pumpkins.

********************************************************************************

The splintered laminate dug into her palms as she leaned over the sink, studying the void that stared back at her.

What was she doing here? And where was it all supposed to take her?

“I’m off to class, now,” her roommate said from the other side of the dark, twin bureaus that divided the room. “You going today?”

She turned towards her roomate’s voice. The heavy fire door slammed against the metal jamb before she could form an answer. She looked back at her reflection. She studied the absurd roundness of her cheeks in the mirror. Apple cheeks on crank. Campbell Soup Kid Cheeks. She’d never be skinny. Too much Mountain People in her for that. What was it her great-grandmother had called her mother?

Fleshy.

A compliment.

Sturdy.

Like a mule.

The reflection’s eyebrow lifted. So, that took care of the supermodel option. Probably the actress, too. So–what? She knew full well what her parents wanted. Nurse. Teacher. Government worker. The first two with easier schedules for a tired pregnant woman, ones quickly enough discarded when the proper man, proper house, proper number of spawn came along. Disposable jobs. The mirrored mouth twitched in something bordering amusement. The latter option would provide great retirement benefits.

A sturdy job.

A good job.

A fleshy job.

She snorted, pushed away from the vanity, and snapped off the light.

**********

Twin bulbs flicker into illumination. She leans against another vanity. Although it is in another place entirely, the mood is unsettlingly similar. She leans forward, pulled into the bluish glow like a bug to a zapper. She studies the face before her. She had been right. She never got skinny. As for her cheeks, well, the advancing of time had neither sagged nor diminished them. Still like a hamster with a face full of seed. Forever a Campbell’s Kid. As she gazes at the minute lines time has danced across the features she once thought unchangeable, she thinks back to that day. They had wanted an answer. She hadn’t had one to give.

Who was she going to be?

What was she supposed to have said to that?

Whatever’s on page forty-one of the Course Catalog?

You pick for me, because I haven’t a fucking clue?

A bloom of teeth and gums splits the face in the mirror.

The answer to her roomate’s question had been–had always been– “No.”


Another R.I.P

What was going to be a regular post has now become a memorial for yet another fallen freak.

Rest in Peace, Lux Interior.


Sometimes Good Things Come in Bubbles

There is much talk of how writers exist in isolated bubbles. All day we hunch over keyboards, pecking away, creating worlds we sincerely hope others may one day see. It is a sometimes difficult occupation, and quite often a fairly lonely chunk of our lives. But, on occasion, our lonely little bubbles bump into other bubbles, and things start to look up.

Last week before submitting to the ABNA was–interesting. No major drama, or anything, but just a series of mental hurdles to leap over, crawl under, and crash into. Had I been jumping through the prerequisite hoops alone, I probably would have put my head through the monitor. Thankfully, John–one of the first internet bubbles I had ever grazed–was standing by for me. In him I have found a great writing partner, a sometimes brutal, but always honest, editor, and a pretty cool friend. John, you probably don’t ever drop by here–you bastard–but if by some chance you happen to stumble over this post, thanks for everything–and, uh, sorry for the, “bastard,” part.

So, I submitted my novel yesterday, then moseyed back to the internet to find an email from Christina, that I had won a drawing, and that my buddy Pirate Steve–who clearly understands I’m unreliable when it comes to keeping up with posts–had dropped by to give me the heads-up. And that’s when this whole post came together. I realized that yes, my week had been tough. But, it wasn’t at all lonely.

This post is for all of you–the ones I’ve met and become friends with; the ones who pop by even when I’m a slacker about posting/viewing posts; the ones who drop me emails to see if I’m alive; and the ones who, by just floating around in their little bubbles, make me feel better about it all.

Thanks, guys.


The Shadow of Avarice

For as long as I’ve been conscious of my surroundings, American culture has been one of greed. In fact, I think it safe to say that if Dante’s’ hell does exist, most of us will be stopping by the fourth level for at least a short visit. In bed last night, as my mind churned with images of this mess our country has landed in, and how we got there, my thoughts turned to Woodstock (the festival, not the little yellow bird).

Woodstock started out as a corporate venture, as most ventures do. But, as the attendance list grew, so did the ideals behind the concert. It became bigger than business suits and conference rooms, bigger than budget meetings and profit margins. It became bigger than the dollar. The weekend was shared in a spirit of love and peace, and although problems did arise, the attendees took them in gracious stride. They weathered rain, poor sanitary conditions and food shortages all because they wanted to be there, to share in the moment itself.

Fast forward to 1999. Another “Woodstock”, this time–a true echo of its origin’s nature–held at a Superfund site. Corporate sponsors lined up, hands out. Merchandise booths and food vendors descended like hungry vultures, each one charging far too much for the substandard wares they hawked. In the only mirror of the previous festival this paltry approximation could claim, food and water again ran short, as did sanitary provisions. This time, riots broke out. Fires were started. Women were raped. The Gen-X answer to the concert that changed rock and roll was a heinous, violent disaster.

When money becomes the sole motive of any purpose, no matter how innocuous or pure the original intent, a shadow falls. This darkness obscures the way, leaving us to wander in the pitch, hoping the direction in which we point is true. And that’s what has happened to our country. We’ve been staggering around in the blackness of avarice, surrounded by the material things we’ve collected, forging for ourselves a vertiginous maze of high end cars, gated communities and the all-mighty–I hate to be forced to say this word–bling.

It is a hard lesson to learn, but a necessary one, one that extends to every aspect of our lives, our hopes. For who among the downtrodden clan of struggling writers has not dreamed of a giant advance, a throng of loyal readers, book signing lines that snake around the block? Hoping for such things is fine, as is attaining them. But, it’s the method by which we go about achieving it, the intent behind our own personal Woodstocks that make the difference. At this critical point in history, where we can learn from our mistakes or doom ourselves to repeat them, we would be better off focusing on what we want out of our work on a personal level, and leave the scrabbling for material achievements to those who enjoy the shadows.